Saturday 30 August 2008

Video-game reviews: "Soulcalibur IV" and "The Bourne Conspiracy"

Battle it out with Yoda or Bourne in two modern fighting games.



"Soulcalibur IV"





"Soulcalibur IV" may not be the quintessential one-on-one fighting game, but it's certainly the quintessential "Soulcalibur."



It features the most various lineup, the most extensive character-building options and by far the best art of whatsoever recent combat game.



Plus, Yoda is in the Xbox 360 version, and Darth Vader is playable for those with the PS3 edition. Another "Star Wars" character makes an visual aspect in both versions as well: Vader's secret learner from the upcoming "Force Unleashed" game. They all play well � Yoda dips and spins, Vader employs crushing blows and Force attacks and the Apprentice is quick and powerful with unpredictable strikes.



The game play is what one expects from a fighting-game sequel: familiar simply with tweaks. Fighters cause new moves, and some old moves have been replaced or require different motions to carry out.



Fighters now experience three pieces of protective equipment that can be shattered during battle, and a type that blocks too much can expression an instant-kill attack.



The story mode cuts out a lot of the extraneous map piloting and early annoyances of previous "Soulcaliburs." The downside is that the narrative is all but lost.



Character creation is where the game very shines. "Soulcalibur III" introduced the concept, but it's refined here. Players can create characters using earned items and any of the main cast's scrap styles and weapons.



The options are sparse, but "Soulcalibur IV" allows for on-line play, victimization a well-done queue system for players waiting for a match.



System: Microsoft Xbox 360 and Sony PlayStation 3




Price: $59.99



Age rating: Teen



"The Bourne Conspiracy"





"The Bourne Conspiracy" serves as the banner model of how to construct a good game based on a movie.



It offers something beyond the events of the movie, and the game play is strong enough to stand on its own.



Though Matt Damon's alikeness is nowhere to be found, the character models and voices are well-done. Each mission is either based on an action sequence from the start movie or takes position as a flashback mission covering events not seen in the movies.



Though he'll occasionally take to the streets for a car chase, amnesiac assassin Bourne spends to the highest degree of his time taking out enemies with a selection of guns or bruising hand-to-hand combat. This is where the secret plan rocks.



After a few rounds of punches and kicks with a foe, Bourne's adrenaline metre gains a level so he stern pull off powerful takedown moves. If he has more than one adrenaline level, he can dispatch multiple foes.



Takedowns are perchance too unproblematic to manipulation, but they're fun to watch and surprisingly varied � "Bourne" will use different maneuvers, depending on his position relative to his opposer and whatsoever objects ar nearby.



System: Xbox 360 and PlayStation 3



Price: $59.99



Age rating: Teen










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Wednesday 20 August 2008

Kanye West Joins Lil Wayne, Bemoans Nine Inch Nails Face-Off At Virgin Fest





BALTIMORE � Fans got more than they bargained for at this weekend's Virgin Mobile Festival � more Kanye, anyway.


Not depicted object to close out the two-day festival with his headlining Sunday slot, Mr. West stormed the stage earlier in the day, joining Lil Wayne for a meeting of hip-hop's hottest. Maybe 'Ye was pulling doubled duty to outshine the legends (Bob Dylan, Iggy and the Stooges), heavy rock veterans (Foo Fighters, Stone Temple Pilots, Nine Inch Nails, Offspring), and upstarts (Paramore, Jack Johnson, Duffy) wHO took the Virgin stage over the weekend at Pimlico Race Course.


Rocking a Louis Vuitton backpack, West joined Weezy on Sunday afternoon to spit his verse from the "Lollipop" remix without skipping a beat. The collabo was the high-energy point of a blistery, better-late-than-never performance. Showing up a 30 minutes late for an hourlong set would be a cardinal hell for almost artists, merely Weezy more than made up for it. The crowd chanted his identify and even booed in short while waiting for his set, simply it was all making love once Lil Wayne hit the stage. Wayne came with a mix of old-school, new-school and a lot of gratitude. "How many of y'all got Tha Carter III?" he asked. "I f---in' appreciate you."


He even took time to honor Static Major, asking for a minute of silence for the late rapper and songster before jumping into the song that catapulted Wayne from an underground mixtaper to an undeniable mainstream superstar. After welcoming Kanye up for "Lollipop," Wayne wrapped his set with even more than gratitude and some laughs, lip-syncing to Whitney Houston's "I Will Always Love You" earlier leaving the stage.


While Wayne's day was done, Kanye was simply getting started. He returned to the stage later that night like a hurricane, shrouded in flashing lights and fog. Fans threw up their Roc-A-Fella diamonds early and held them high all night. No irony was disoriented on 'Ye, who made it a point to prove his authenticity in front jumping into "Diamonds From Sierra Leone."


"I work real hard at this rapping sh--," he said. "This is real rap."


Kanye dove into a set spanning his entire career, from his most recent verse from Young Jeezy's "Put On" to his humble beginnings on "All Comes Down," asking fans to "scream so loud I can't see the music" if they knew the song.


And, of course, 'Ye talked, touch on everything from his mother's last to Barack Obama's nomination to criminal offence in the festival's host city of Baltimore. He freestyled as well, expressing his gratitude for fame and his frustration that comes along with it. The in the raw emotion was undeniable. "I lost my mama/ I went through so lots drama/ I went through so much drama/ I'm for Obama," he rapped. He then described his journey over to Pimlico Race Course, noting the flashing blasphemous lights supra cameras stationed throughout the 'hood and being content with the fact that even though many Baltimore natives couldn't afford to attend the concert, they could still see and hear the show from the parking lot outside the bill Gates. He as well shouted taboo MySpace, the Internet and Lil Wayne before beginning "Touch the Sky."


West took a bit of a jab at the festival's schedule, specifically the choice concertgoers had to make between his performance and one from Nine Inch Nails happening at the same clock time at the other end of the park (a dilemma faced by fans at Chicago's Lollapalooza a week to begin with). "It's not a black-or-white thing, it's not a rap-or-rock-and-roll thing," he exclaimed. "It's a good-music thing. We jam about good things from the heart. How can you cull between me and Trent Reznor?"


But at the end of the day, Kanye's focus all came back down to his fans. Again freestyling, 'Ye expressed his zeal to please those wHO came out to support him. "I hope you had a good time ... f--- that, the time of your life!" And with diamonds high in the sky and screams that could be heard around the block, the crowd's enthusiasm matched Kanye's (no easy feat).


The solar day before, it was up to West's fellow Chi-Town native Lupe Fiasco, wHO had fans bobbing their heads and singing on to "Superstar" and "Kick, Push." Despite technical difficulties, Lupe aimed to please, shouting subsequently his mike problem was resolved, "Let's hype this bitch back up, all right?" Given the measure of crowd-surfing during his set and the loudness of fans chanting his name when he left the stage, he seemed to succeed.


But the weekend wasn't all about hip-hop. The Foos, the Stooges, Paramore and NIN brought the rock, but the guitar heroes of the day power have been Stone Temple Pilots. Taking the microscope stage later than expected (thanks, Weezy), STP seemed to be the picture of reunification. The band was completely in sync thanks to its current 65-date tour. The focus wasn't mainly on themselves, though. Scott Weiland shared the love, cheering out those sharing the bill. "What a great day of f---ing music!," he gushed. "How about Iggy and the Stooges? And Nine Inch Nails are approach up!" He also had love for the crowd. "What a sea of energy," he exclaimed scarcely before the crowd american ginseng and bobbed along to every eminence of the band's breakthrough hit "Plush."


For more sights and stories from concerts around the country, retard out MTV News Tour Reports. And send your own concert pics, videos and reviews to MTV News You R Here!







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Sunday 10 August 2008

Ralph Lundsten

Ralph Lundsten   
Artist: Ralph Lundsten

   Genre(s): 
Ambient
   New Age
   



Discography:


Pe Drumbda Stigar   
 Pe Drumbda Stigar

   Year: 2004   
Tracks: 18


De Drumda Stigar   
 De Drumda Stigar

   Year: 2004   
Tracks: 18


Dreamlight Cd2   
 Dreamlight Cd2

   Year: 2003   
Tracks: 15


Dreamlight Cd1   
 Dreamlight Cd1

   Year: 2003   
Tracks: 17


Music For Relaxation and Meditation   
 Music For Relaxation and Meditation

   Year: 2001   
Tracks: 10


The Seasons   
 The Seasons

   Year: 1996   
Tracks: 9


The Joy Of Being   
 The Joy Of Being

   Year: 1994   
Tracks: 12


Nordic Light   
 Nordic Light

   Year: 1993   
Tracks: 14


Ralphinated Symphonies   
 Ralphinated Symphonies

   Year: 1992   
Tracks: 8


Mindscape Music   
 Mindscape Music

   Year: 1992   
Tracks: 2


Lyckolegend and En Midvintersaga   
 Lyckolegend and En Midvintersaga

   Year: 1992   
Tracks: 8


Lustbarheter   
 Lustbarheter

   Year: 1992   
Tracks: 13


Elderstrappan   
 Elderstrappan

   Year: 1990   
Tracks: 18


Nordic Nature Symphony No 2  Johannes And The Lady Ofthe Woods Op. 99   
 Nordic Nature Symphony No 2 Johannes And The Lady Ofthe Woods Op. 99

   Year: 1988   
Tracks: 11


Nordic Nature Symphony No 1  The Water Sprite Op. 75 1972   
 Nordic Nature Symphony No 1 The Water Sprite Op. 75 1972

   Year: 1988   
Tracks: 9


Horrorscope   
 Horrorscope

   Year: 1988   
Tracks: 15


Dancing In The New Age   
 Dancing In The New Age

   Year: 1988   
Tracks: 14


Romance In The New Age   
 Romance In The New Age

   Year: 1987   
Tracks: 12


Paradise Symphony   
 Paradise Symphony

   Year: 1987   
Tracks: 7


Nordic Nature Symphony No 4 and No 5  A Summer Saga Bewitched   
 Nordic Nature Symphony No 4 and No 5 A Summer Saga Bewitched

   Year: 1987   
Tracks: 10


Nordic Nature Symphony No 3  A Midwinter Saga   
 Nordic Nature Symphony No 3 A Midwinter Saga

   Year: 1987   
Tracks: 7


Cosmic Phantazy   
 Cosmic Phantazy

   Year: 1987   
Tracks: 2


Nordiska Natursymfonier   
 Nordiska Natursymfonier

   Year: 1974   
Tracks: 4


Midnight Hour and Other Works   
 Midnight Hour and Other Works

   Year: 1973   
Tracks: 15


Svit Elektroniskt Dragspel   
 Svit Elektroniskt Dragspel

   Year: 1968   
Tracks: 4


Feel It   
 Feel It

   Year: 1968   
Tracks: 2


The Ages Of Man   
 The Ages Of Man

   Year:    
Tracks: 8


Pat Vingliga Tar   
 Pat Vingliga Tar

   Year:    
Tracks: 6


Inspiration Sweden - Landscape Of Dream   
 Inspiration Sweden - Landscape Of Dream

   Year:    
Tracks: 13


Diskophrenia Remixes (SVEK 023)   
 Diskophrenia Remixes (SVEK 023)

   Year:    
Tracks: 4